Table of Contents

updated: 28/06/2024
Back to Top
Intertextuality Information

Pantoum

Παντούμ

Creator: Giorgos Seferis

Γιώργος Σεφέρης

Work Type: Poem

Date: 1940

Description:

Giorgos Seferis’s Pantoum, is a poem that draws from the traditional Malaysian pantoum structure. This poetic form relies on the repetition of lines to create a layered and evolving narrative. In Seferis’s Pantoum, every third line is repeated, with each iteration gaining new significance from its changing context within the poem. This approach imbues the work with a sense of continuity and transformation, reflecting Seferis’s ability to merge traditional forms with modernist sensibilities. His use of repetition not only honours the original structure but also enhances the emotional depth and thematic complexity of the poem. Seferis’s Pantoum was first published in 1940 in his collection titled Exercise Book (Τετράδιο Γυμνασμάτων).

About the poet:

Giorgos Seferis (1900-1971) was a prominent Greek poet and diplomat, widely regarded as one of the most important figures in 20th-century Greek literature. He was born as Georgios Seferiades in Vourla near Smyrna (now Urla near İzmir, Turkey) and later moved to Athens due to the Greco-Turkish War. Seferis studied law in Paris and embarked on a diplomatic career, which saw him serve in various countries, including Lebanon, Syria, Jordan, and the UK.

Seferis’s poetry is noted for its exploration of themes such as Hellenism, exile, and the complexities of the human condition. His works often reflect the turbulence of the 20th century, including the impact of war and displacement. His notable collections include “Strophe” (1931), “Mythistorema” (1935), and “Gymnopaedia” (1936). In 1963, he was awarded the Nobel Prize in Literature, the first Greek to receive this honour, recognising his profound impact on modern poetry.

Seferis’s influence extends beyond his poetry to his essays and translations, through which he helped to introduce modernist ideas to Greek literature. He passed away in Athens in 1971, leaving behind a rich legacy that continues to inspire and resonate in contemporary Greek culture.

Relationship to Sicilianos's Work:

In his Violin Sonata’s second movement (Pantoum), Yorgos Sicilianos draws inspiration from Giorgos Seferis’s poem Pantoum, creatively adapting its structure into a musical form. Just as the poem relies on the repetition of lines to develop its themes and meanings, Sicilianos employs a similar technique in the sonata. Each musical phrase is repeated with slight variations, akin to Seferis’s method of line repetition, which infuses the music with evolving significance and emotional depth. The scholarly work of Nassos Vagenas (Νάσος Βαγενάς) in his book Ο Ποιητής Και Ο Χορευτής (The Poet and the Dancer), published in 1979, in which he analyses Seferis’s poetry heavily influenced Sicilianos’s approach. Sicilianos’s next work Pantoum Op. 46 for Piano, Violin and Cello is also based on this structure.

See: Mavroudis, Anastasios Rupert Arthur. Sicilianos, The Greek Modernist: Performing Selected Chamber Works and Concerto for Violin and Orchestra, Op. 51 (Athens Benaki: Museum, 2020) 174-188

Books
#
Book Page
1
Performing Sicilianos: Selected Chamber Works and Concerto for Violin and Orchestra
Anastasios Rupert Arthur Mavroudis
University of London
2015
Musicology, Performance
Thesis
English
Works
#
Work Page
1
YSC87
Sonata

for Violin and Piano

45

Violin and Piano

2. Pantoum

2
YSC88
Pantoum

for Violin, Cello and Piano

46

Violin, Cello, and Piano