Creator: Giorgos Seferis
Γιώργος Σεφέρης
Work Type: Poem
Date: 1979
Description:
Giorgos Seferis’s short story Nijinsky appears in his collection Ποιήματα (Poems), published by Icarus in Athens in 1979. The story presents a surreal encounter with the legendary dancer Vaslav Nijinsky, who materialises in the author’s study and performs a series of otherworldly movements. Seferis uses vivid imagery and symbolic elements to explore themes of artistic expression and the complex interplay between reality and imagination. This work reflects Seferis’s mastery of blending narrative and poetic elements to convey deep emotional and psychological experiences.
About the poet:
Giorgos Seferis (1900-1971) was a prominent Greek poet and diplomat, widely regarded as one of the most important figures in 20th-century Greek literature. He was born as Georgios Seferiades in Vourla near Smyrna (now Urla near İzmir, Turkey) and later moved to Athens due to the Greco-Turkish War. Seferis studied law in Paris and embarked on a diplomatic career, which saw him serve in various countries, including Lebanon, Syria, Jordan, and the UK.
Seferis’s poetry is noted for its exploration of themes such as Hellenism, exile, and the complexities of the human condition. His works often reflect the turbulence of the 20th century, including the impact of war and displacement. His notable collections include “Strophe” (1931), “Mythistorema” (1935), and “Gymnopaedia” (1936). In 1963, he was awarded the Nobel Prize in Literature, the first Greek to receive this honour, recognising his profound impact on modern poetry.
Seferis’s influence extends beyond his poetry to his essays and translations, through which he helped to introduce modernist ideas to Greek literature. He passed away in Athens in 1971, leaving behind a rich legacy that continues to inspire and resonate in contemporary Greek culture.
Relationship to Sicilianos's Work:
In his Violin Sonata, Yorgos Sicilianos incorporates Giorgos Seferis’s poem Nijinsky by using it as the foundation for the final movement, which is also titled “Nijinsky.” This movement was the first part of the Sonata that Sicilianos composed, drawing deeply on the surreal and vivid imagery found in Seferis’s narrative. Sicilianos’s interpretation was further influenced by the analysis provided by Nassos Vagenas (Νάσος Βαγενάς) in his book Ο Ποιητής Και Ο Χορευτής (The Poet and the Dancer), published in 1979. Vagenas’s exploration of the poem’s structure and symbolism, particularly the conceptual triptych of pity, fear, and catharsis, guided Sicilianos in crafting a musical piece that mirrors the emotional and symbolic journey of Seferis’s text. This approach allowed Sicilianos to embed the narrative’s deep impressions and symbolic meanings into the music, creating a rich, layered experience that reflects both the literal and emotional arcs of the poem.
See: Mavroudis, Anastasios Rupert Arthur. Sicilianos, The Greek Modernist: Performing Selected Chamber Works and Concerto for Violin and Orchestra, Op. 51 (Athens Benaki: Museum, 2020) 188-196
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Performing Sicilianos: An Analytical and Interpretative Approach to the Sonata for Violin and Piano, Op. 45 by Yorgos Sicilianos |
Anastasios Mavroudis |
Goldsmiths College, University of London |
2014 |
English |
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February 18, 2019 |
Aris Garoufalis Hall, Athens Conservatory - Live Broadcast on Hellenic Parliament TV |
Athens |
Greece |
Persons Worthy of Honour (Πρόσωπα Άξια Τιμής) |
Hellenic Parliament Foundation for Parliamentarism and Democracy, Athens Conservatory |
Anastasios Mavroudis (violin), Lysianne Chen (piano) [Op. 45] - Ellie Filippou (cello), Maria Eustratiadi (piano) [Op. 59] |
N/A |
Violin Sonata, Op. 45 - Cello Sonata, Op. 59 |
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YSC87 |
Sonata |
for Violin and Piano |
45 |
Violin and Piano |
3. Nijinksy |