Author(s): Valia (Stavroula) Christopoulou
Department of Music Studies, National and Kapodistrian University of Athens
Abstract or Summary:
This paper investigates the techniques of borrowing and integrating external material in the music of Yorgos Sicilianos, tracing his evolution from modernist to postmodernist approaches. By examining various works, including his First Symphony, the author discusses how Sicilianos’s use of quotations and allusions reflects broader trends in 20th-century music and his personal aesthetic development. The study reveals the complexity of Sicilianos’s compositional methods and his engagement with different historical and cultural influences.
**Please note that this is not an official abstract. It is a summary of the contents of the article made by Sicilianos.org**
Year of Publication: 2021
Published/Presented: Yorgos Sicilianos (1920-2005): One Hundred Years Since His Birth
Language(s): Greek
Access Type: Free Access
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Valia (Stavroula) Christopoulou |
University of Athens |
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Yorgos Sicilianos (1920–2005): One Hundred Years Since His Birth. |
Minas I. Alexiadis, Katerina Levidou, Lorenta Rammou, Linos-Alexandre Sicilianos, Iakovos Steinhauer, Valia Christopoulou |
University of Athens |
2021 |
Musicology |
Edited Volume |
Greek |
