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updated: 25/06/2024
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Intertextuality Information

The Little Prince

Le Petit Prince

Creator: Antoine de Saint-Exupéry

Work Type: Novella

Date: 1943

Description:

The Little Prince is a novella by Antoine de Saint-Exupéry, published in 1943. The story is narrated by a pilot stranded in the Sahara Desert, who meets a young prince from another planet. Through their conversations, the prince recounts his journey from his home asteroid, visiting various other planets, each inhabited by a single adult with peculiar traits. These encounters critique the absurdities of adult behaviour, emphasizing themes such as the foolishness of greed, the emptiness of power, and the superficiality of vanity.

The novella delves deeply into themes of love and friendship. The prince’s relationship with a rose on his home asteroid symbolizes the complexity and beauty of love. This relationship, along with his encounters with a fox, who teaches him about taming and creating bonds, underscores the importance of human connections and understanding. The story suggests that true understanding comes from the heart rather than the eyes, highlighting the invisible essence of meaningful relationships.

The Little Prince also explores existential themes. The prince’s reflections on life, death, and what truly matters in the world invite readers to contemplate their values and priorities. The narrative juxtaposes the innocence and purity of the prince’s perspective with the often misguided pursuits of adults, prompting readers to re-evaluate their own lives. The book’s philosophical undertones resonate with both children and adults, making it a timeless piece of literature.

Despite its apparent simplicity, The Little Prince is rich with allegory and symbolism. It has been translated into numerous languages and adapted into various forms, including theatre, film, and opera. Its universal themes and poignant storytelling continue to captivate audiences worldwide, ensuring its place as one of the most beloved and enduring works in literary history.

Relationship to Sicilianos's Work:

Sicilianos’s Epitaph is divided into two parts, played without interruption, and is based on a combination of texts by the composer himself, and: a) the first three lines of the Western Requiem Mass in Latin, b) a short excerpt from The Little Prince by Antoine de Saint-Exupéry, and c) two Byzantine hymns, in the original text and melody, namely an excerpt from the Lament of the Virgin, heard in the Orthodox service of Holy Week, and a resurrection hymn.

See: Epitaph, Op. 31 (1971)

Works
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Work Page
1
YSC72
Epitaph

for Mixed Choir, Six Women's Vocal Ensemble, Children's Choir, Narrator and Orchestra

31

3233-4331, Timpani, Percussion (3 Performers: Suspended Cymbal, Cymbals, Medium Gong, Large Tam-Tam, Flexatone, Maracas, Claves, Clapper, Metallophone or Glockenspiel, Crotales, Xylophone, Vibraphone, Tubular Bells, Bass Drum), Harp, Piano, Strings, Choir, Children’s Choir, Narrator, 4 Female Voices