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Intertextuality Information

The Fire

Φωτιά

Creator: Maro Papadimitriou

Μάρω Παπαδημητρίου

Work Type: Poem

Date: 1980

Description:

The theme of this work revolves around the struggle for survival and self-discovery amidst chaos and destruction. The narrative explores themes of desperation, reflection, and eventual catharsis, transforming mourning into a readiness for action. The interplay between reality and fantasy highlights the existential journey of confronting inner fears and finding redemption.

About the Poet:

Maro Papadimitriou (Kyriakou) was born in Piraeus in 1939. She studied English Philology (B.A. from Deree College and M.A. in Comparative Literature from Antioch University, Ohio) and specialised in counselling programmes in psychology. She worked in journalism (magazines) and advertising. She taught the course “The Experience of Poetic Reading” at the Adult Education Programme of the Athens College (2001-2002). She works with poetry-psychology groups on the subject of “poetry as a lived experience” and is involved in poetic translations. She has published the poetry collections: “Cassandra in Vain Resisted the Introduction of the Trojan Horse Within the Walls” (1971), “And Gaia Turned Her Face Away” (1974), “Fire” (Ikaros, 1981), “The C of Loss” (Parousia, 1998). The work “Fire” served as the libretto for the musical drama “Fire” by the composer Yorgos Siclianos, which was staged at the National Opera in 1987 and 1994. Maro Papadimitriou was a student of Elly Yotopoulou-Sicilianou, the wife of composer Yorgos Sicilianos. Through this connection, Sicilianos became acquainted with her work.

Source: Biblionet.gr

See: Francis Guy, Yorgos Sicilianos – diapason a dialogue with Francis Guy [Γιωργος Σισιλιανος – διαπασων ενας διαλογος με τον Φρανσις Γκαϋ] (Cyprus: Cyprus Wine Museum, 2009), 74

Relationship to Sicilianos's Work:

The poem was adapted theatrically by Yorgos Sicilianos to form the libretto of his opera The Fire. 

Articles & Papers
#
Item Page
1
Fire: How a Poem Becomes an Opera
Maro Papadimitriou
Independent
2017
Greek
Works
#
Work Page
1
YSC84
The Fire

Musical Drama in One Act, with Prologue and Seven Scenes. Text by Maro Papadimitriou, theatrical adaptation by Yorgo Sicilianos.

42

2222 – 4231, Celesta, Timpani, Percussion (3 Performers: Glockenspiel, Xylophone, Triangle, Clapper, Suspended Cymbal, Cymbals, Large Gong, 5 Temple Blocks, Woodblock, Snare Drum, Snare Drum without Snares, Bass Drum, Maracas, Flexatone), Strings, Characters: Man (baritone), Woman (mezzo-soprano), Old Beggar (tenor), Jester (tenor), Wiseman (baritone), Oracle (bass), High Priest (bass), Crowd (mixed choir), Men (tenors and basses or baritones and basses), Dancers, Offstage voices (four male and one female voice).

Writers
#
Writer's Page
1
Maro Papadimitriou
Independent

Creator

2
Minas I. Alexiadis
University of Athens