Work Type: Music
Description:
Greek folk songs, known as “dimotika tragoudia,” are a fundamental part of Greek cultural heritage, encapsulating the traditions, history, and emotions of the Greek people. These songs often draw from various themes, including love, nature, historical events, and everyday life, reflecting the rich tapestry of Greek society. They are usually divided into different categories such as “akrítika,” which are heroic songs inspired by the Byzantine frontier soldiers, and “paraloges,” narrative songs that often have a mythical or fantastical element.
A prime example is the song “To Nekro Adelfo” (The Dead Brother), which belongs to the paraloges category. This song tells the story of a family with nine sons and one daughter, Areti, who marries far away. After her brothers die, one of them, Konstantinos, rises from the grave to fulfil a promise to their mother by bringing Areti back home, only for her to die in her mother’s arms. This narrative has inspired various literary and theatrical adaptations, highlighting its profound impact on Greek folklore and its ability to convey deep emotional and cultural themes.
In summary, Greek folk songs are not just musical expressions but also storytelling mediums that preserve the nation’s history and cultural identity, blending elements of myth, history, and personal emotion to create a rich and enduring musical tradition.
Relationship to Sicilianos's Work:
In the third movement (Adagio molto e mesto), the composer drew inspiration from two Greek musical traditions: Byzantine chant and folk song. However, no melodies are directly borrowed from these sources. The cello begins with a drone-like accompaniment, akin to the Byzantine “ison,” supporting a broad melody introduced by the viola, which then transitions to the violins in succession.
Sicilianos, programme note in the concert programme of 17 March 1954. See: Christopoulou, Valia. Κατάλογος Έργων Γιώργου Σισιλιάνου [Yorgos Sicilianos Catalogue of Works] (Athens: Panas Music Papagrigoriou – Nakas, 2011) 36-37
# |
Work Page |
|||||||
---|---|---|---|---|---|---|---|---|
1 |
![]() |
YSC42 |
Adagio and Vivace |
for String Orchestra |
8A |
Strings (Violins, Violas, Cellos, and Double Basses) |
||
2 |
![]() |
YSC41 |
String Quartet No. 1 |
8 |
String Quartet (Violin I, Violin II, Viola, and Cello) |
Third movement (Adagio molto e mesto) |